I thought I already live in some microphones to violent experiences, but it was nothing ... I had mentioned that in recent meetings with Bojan Z, I met the biggest killer microphones in the world (known). Our man, Josh Roseman, trombone is an excellent non-violent in Brooklyn and a musician of the new group of Bojan: The Tetraband. I had never heard such a dynamic and U67 Neuman used initially saw her hit blush and get hot as ever. The ribbon microphone, installed more, but did suffer more cashed preamp that nobody had warned that the day promised to be tough. This electronic equipment in the quietude of the Studio de Meudon, discovered the acoustic onslaught of this man came from across the Atlantic, and probably regretted having been chosen for this mission impossible. So we've moved to a more suitable transistor preamp but were not yet satisfied ...
Josh finally show me the list of microphones who by his own party were early retirement (on the side of Miami seems to me there), only 441 had survived Sennheiser. Alas there was no 441 in studio that day. We thought to send a brigade of assistants to search on all stocks in France but the missing piece we needed time. With his younger brother, a Sennheiser 421 we ended up recording, even if it would end up very soon in early retirement, not far from Miami.
now, I'll always have a 441 on me and the guy from Brooklyn had better behave.
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